Most people choose needlework or other artistic options as a hobby. Moreover, because of the same mass-produced goods, the demand for things made by oneself is increasing. Photos or computer images are printed multiple times. You can do a unique thing by learning how to paint oil paintings. If you watch the video lessons of famous artists, then even a beginner can understand this painting technique.

Even if you try to repeat your plot perfectly twice, you still cannot make an exact copy. This creates the uniqueness of works of art. How to start and learn how to create paintings?

Materials that will be required for work:

• host.
• Different colors.
• Brushes.
• Solvent and a small container for it.
• Special palette for mixing.

Masters also use palette knife- special metal elastic shovels with wooden handles, with which paint is applied to the base. It is important for a beginner to master brushes.

In addition, the masters paint pictures on easel or a high-quality sketchbook, if they go to work in nature, to depict oil paintings from life.

Landscapes for beginners is a complex subject. It is better to create pictures with the help of imagination or using photographs. This will make it easier to depict the landscape.

According to professionals, easier to work on an easel, as it is easier to step back and look at the result of the work. At first, you can try to practice on the surface of the table, but it is better to take some board and put it on your chair at a certain slope. You will see an overview of your work and you will be able to evaluate its quality well, notice your shortcomings in time.

Remember that paint wears out quickly Therefore, you need to purchase them individually and in large quantities. The form of release is of different sizes. White paint is the fastest to leave, but black paint is consumed in very small quantities. First you need to decide on plot, and then buy paints of the appropriate colors and shades.

In order to draw an autumn bouquet, you will need one set, and for a summer bouquet, a completely different one. In order not to waste your budget on unnecessary colors, it is better to take only the necessary ones in approximately the right amount. All colors and shades can be obtained with only three main colors(yellow, red, blue), as well as white and black.

Gallery: oil painting pictures (25 photos)

Creating and selecting a base step by step

If you want to make it easier for yourself to draw, buy in specialized stores ready-made foundations for work on which you can immediately apply paint. They cost a decent amount of money, but they are just right for a beginner, as they greatly simplify the work.

Another great option is application of fiberboard. In the household of every man there are scraps of this material, which remains after the repair. It is easy to find it by asking friends, relatives or a loved one. Someone definitely used it and keeps the remains of this material in the garage.

The shape of the sides of fiberboard is different, one looks very smooth, and the other is rather rough, remotely similar to a woven structure. Both forms can be used, but more parts and layers of primer should be applied to a rough surface, otherwise the color may become dull, as the paint will sink a little into the structure of such a product.

If for the first time you decide to try to paint a landscape oil painting, you can take a ready-made fiberboard base with primer already applied. The sheet should be taken small, no more than a landscape one.

If you want to make a base from WPV with your own hands, an easy and inexpensive way is using plain gelatin, you can add PVA glue to it so that the color turns white. It is necessary to apply this primer in several layers with the preliminary drying of the past. Three times will be enough. You should feel that the surface has changed. After preparing the base, you can proceed to create a picture.

Master class oil painting

After creating the basis and preparing the materials, we proceed to work in stages:

• Make a line drawing on the canvas with a simple pencil or paint.
• Take care of the distribution of shadows and highlights (where there will be bright and dark areas).
• Create the background and all large objects.
• Engage in drawing small shapes and details.

Sometimes back off from the picture to evaluate the results of their activities. In the process of drawing, mix different shades of colors on the palette. The last action is the design of the picture for the frame.

Master class in oil painting for beginners

In this master class we will draw the sea!

Drawing Description step by step:

First of all, you need to prepare a picture with which you are going to paint the sea. Put the canvas on the easel. Create the first strokes on the canvas, making the main background. Wait a little until it dries completely. If you follow the tips of the master class, then you will be able to paint a picture with oil paints with the sea. After finishing drawing, you need to decide on the name, most importantly, do not forget to leave your initials at work. Authorship is very important because it makes your work stand out.

Conclusion

If you understand drawing, you can understand that it is not difficult to depict a landscape or paint. You can also draw with ready-made canvases, because this is the easiest thing to do.

We paint oil paintings: photo

Evgeny Sedov

When hands grow from the right place, life is more fun :)

Content

The best decoration of the interior at all times were drawings. Oil paintings on canvas in the modern world are created both by hand by the artist and with the help of a printer. The right choice of canvas will complement any design, adding an interesting accent to it. Learn about the features of the paintings before purchasing, so as not to get lost in the variety of motives, techniques, styles.

What is oil painting

The creation of paintings has its own nuances, which depend on the properties of the materials. Oil painting is a technique that uses paints based on vegetable oils: linseed, poppy, walnuts. An oil painting on canvas is painted using different techniques, the choice of techniques depends on the pigments of the paint. They are selected depending on the desired effect, on which picture is more successful to sell.

Not all types of paints can be used for glazing. There are such types of pigments:

1. Glazing - transparent, due to which a feeling of depth and gloss is created. Their advantage is that when mixed they do not lose color.
2. Opaque pigments have high definition. Suitable for painting in one layer due to the density, but when mixing shades they become gray.

The main painting techniques that are in demand today are: watercolor in wet (a la prima) and multi-layered techniques. In the first version, when creating a picture, the oil is not allowed to dry. Artists paint in one go or briefly leave an unfinished study in a damp place, using a special varnish to dissolve the dried film before applying the next layer.

The second technique is multi-layered writing, which differs in that each level of paint is dried after application. The work on oil paintings is carried out in several stages:

1. For underpainting use contrasting tones. Grisaille is often used: white and dark paint.
2. Paste registration involves the application of the next layer. These will be the semitones of the future canvas.
3. Glazing is the layering of translucent colored paints over the prescribed tones.

Oil paintings for the interior

The choice of canvas plot depends on the design of the room. Paintings on canvas for the interior should be in harmony in style and size with pieces of furniture. Classic options for choosing the genre of etude:

• a romantic motif is suitable for the bedroom: a bright sunset, a family portrait, an art poster with animals;
• the kitchen involves the use of still lifes in the design;
• for the living room, you can choose a more elegant pattern. Here it is appropriate to boast of the author's reproduction (for example, "Girl with Peaches", "Woman in Red") or a beautiful canvas on the theme of nature.

Buy oil painting on canvas

You can choose a canvas in the online store, at specialized fairs of masters. Avito is one of the resources where oil paintings are sold. It is convenient because the necessary information is displayed here: how much the work costs, high-resolution photos are attached, the price is indicated in rubles. People from Moscow and St. Petersburg, as well as from other cities, can sell canvases, and mail delivery helps to get a picture even from a rare master from the outback.

Flowers

A poster in cold colors will be an interesting and beautiful solution for the interior, combining an inexpensive price and originality:

• name of the painting: Bouquet;
• price: 364 rubles;
• characteristics: purple-blue flower arrangement measuring 20x28 cm is suitable for decorating a table or wall;
• pluses: a bright study of nature on a floral theme will add an interesting accent to a classic interior;
• cons: paper base.

A beautiful combination of sunflowers and fruits in warm shades will be an excellent interior addition to the living room or kitchen:

• name of the painting: Pears and flowers;
• price: 2300 rubles;
• characteristics: on a canvas measuring 50x60 cm, an etude is depicted in blurred outlines of a yellow-brown scale;
• pluses: the presence of a stretcher;
• cons: requires a lot of free space on the wall.

Flowers in oil on canvas - a reproduction of the famous work of the author Hans Bolognier, reflects romanticism and tells about the love of nature:

• name of the painting: Bouquet;
• price: 5460 rubles;
• characteristics: a high-quality copy made on canvas will complement the classic interior with calm noble shades;
• pluses: high realism;
• cons: not the original, decent work, but a reproduction.

Winter landscape

Emil Schuffenecker is a famous master of post-impressionism. One of the quality reproductions that is in demand is:

• name of the painting: Winter landscape;
• price: 5320 rubles;
• characteristics: discreet tones and broad strokes give the sketch nobility;
• pluses: original technique;
• cons: does not create accents, calm tones, if placed incorrectly, can be lost in the interior.

• name of the painting: Winter day;
• price: 76000 rubles;
• characteristics: original canvas about a look at nature in winter, made on canvas 50x70 cm in size;
• pluses: high quality, a single copy;
• cons: it will be expensive, you will have to overpay for uniqueness.

Cold winter, made in muted colors, will decorate the interior in a classic or modern style:

• name of the painting: Winter house;
• price: 2300 rubles;
• characteristics: vertical story composition on a forest theme, made in gray-blue tones;
• pluses: warm shades will add coziness to the living room or bedroom;
• cons: requires an additional purchase of a baguette.

cityscapes

A painting is not necessarily an expensive purchase. A beautiful evening city in muted colors with bright accents will appeal to sophisticated natures:

• name of the painting: sunset in Paris;
• price: 303 rubles;
• characteristics: a panel measuring 20x27 cm with the most romantic city is ideal for a bedroom;
• pluses: cheap, well-chosen colors;
• cons: paper base.

An urban look with a tower that seems to have stepped out of the books of Wales will complement the interior of the future:

• name of the painting: City landscape;
• price: 12000 rub.;
• characteristics: canvas 120x30 cm in shades of brown depicting part of a building in a classical style;
• pluses: high-quality work on canvas;
• cons: elongated shape requires space in the interior.

The antique atmosphere of the oil painting in the style of Rome - columns, a lot of greenery will successfully fit into the Art Nouveau interior:

• canvas name: City landscape;
• price: 1800 rubles;
• characteristics: a study on the theme of ancient ruins with an abundance of green hues, 60x50 cm;
• pluses: sale at a discount as part of a sale;
• cons: due to the size, it requires a lot of free space on the wall.

autumn scenery

A modular canvas on the theme of nature will look advantageous on a free wall. Fashionable composition of several components that create a single panorama:

• name of the painting: Autumn;
• price: 3774 rubles;
• characteristics: consists of 5 canvases on wooden stretchers, which depict a lone tree;
• pluses: buying a baguette is not needed;
• cons: you need a free wall to accommodate all the canvases.

A bright sketch in yellow-orange tones will tell about a forest corner in the most picturesque time of the year:

• painting title: Autumn landscape:
• price: 10560 rubles;
• characteristics: beautiful warm colors of nature are depicted on the canvas, which is decorated with a massive gold frame;
• pluses: sold framed by a baguette, you can save on its purchase;
• cons: factory production from China.

An impressionistic canvas with many bright red accents from the artist Maurice de Vlaminck:

• name of the painting: Autumn Landscape;
• price: 5250 rubles;
• characteristics: juicy colors of autumn are depicted on canvas 20x24 cm;
• pluses: fashionable direction of painting;
• cons: it is better to view the image from a distance, therefore it is only suitable for a spacious apartment.

summer landscapes

Reproduction by artist Seago Edward tells of the sea coast in gray tones. An unusual combination of sunny season and cold colors:

• price: 5510 rubles;
• characteristics: minimalism and discreet tones allow you to balance the active interior;
• pluses: original choice of gamma;
• cons: can be lost on a light wall.

Summer in all its glory with flowers and the azure coast is presented in this sketch:

• name of the painting: Sea coast:
• price: 303 rubles;
• characteristics: canvas 30x20 cm with rose bushes near the azure sea;
• pluses: affordable cost;
• cons: the finished image will have to wait a few days after placing the order.

Rustic motifs combining a clearing, trees, images of villagers will create a cozy atmosphere:

• name of the painting: Summer landscape;
• price: 10560 rubles;
• characteristics: classic canvas with a wooden frame, size 31x20 cm;
• pluses: the presence of a baguette;
• cons: not the original canvas, a reproduction of the work of Stanislas Lepin.

Order oil painting on canvas

Do you want to order a portrait of your loved ones? You can find a master both on the streets of the Arbat and on the Internet. Pictures can be created on special printers, the cost of the canvas starts from 1000 rubles and depends on the size. Getting a handwritten creation of the master will be more expensive - from 5000 rubles. Here the price depends not only on the dimensions, but also on the skills of the author, the materials used.

Landscape is considered one of the most sought after and very popular genres. Oil landscapes are very seriously interested in both ordinary viewers and professional collectors. Beautiful oil landscapes have a pronounced property and even a certain ability to create a harmonious and cozy atmosphere in the house. Apparently, along with other circumstances and nuances, this factor plays a very important role in the love of oil paintings.

The landscape expresses the attitude of the artist, striving with all his might to capture nature in just one moment of it. Worthy, talented artists can do it. Take, for example, the St. Petersburg artist Dmitry Kustanovich and his, performed in the best traditions of modern impressionism or landscapes of nature oil Chinese artist Hong Leung, whose work we will consider a little later in this article.

They say simplicity is perfection. It is this postulate that is well applicable to the most complex form of art - oil painting. After all, the artist not only needs to paint the canvas with talent and freedom, but, above all, to see in the ordinary and simple the whole essence, whose name is beauty. Oil painting technique when used skillfully, it wonderfully conveys the richness of color and the variety of forms. Oil landscapes give the viewer all the beauty of our civilization. The cost of such works is priceless, but if realistic, they are often acquired by collectors for solid sums.

Hong Leung is a self-taught artist who creates borderless oil landscapes from the purest colors, succumbing to the freedom of the movement of the brush. You can even say that the author's landscapes are not written, but sung from the heart. Looking at the work of a Chinese artist, you slowly begin to sink into abstraction, its depth. In his paintings, confidence and inner strength are visible. It is definitely noticeable that he knows what he is doing ... Each of us has the right to assess the degree of his rightness.

In painting of different genres - still life, landscape, portrait - the composition consists of different plans. Even if it's a simple portrait, it doesn't matter, the image will consist of at least two plans - the background and the figure of a person. But if we talk about spatial plans in a landscape, then it must be said that a lot depends on them, because a landscape is, first of all, space. Even if it is a thicket, different plans will also be visible in it - tree trunks in front, behind, in the distance, etc. Therefore, in this painting lesson we will discuss how spatial plans can be conveyed in a landscape. I will paint birch trees on the shore of the lake. Technique - oil painting. On the example of this work, you can see what techniques artists use to convey space. So, let's begin.

1. Breakdown into plans.

We divide the depicted view into conditional plans: first, second, third ... for example, the trees in front are the first plan. The glade further - the second. The strip of forest near the horizon is the third, and so on. The number of spatial plans can be arbitrary. However, don't do too many of them.

2. Linear perspective.

In accordance with the laws of linear perspective, all objects decrease in size as they move away. This means that the trunks of birches in the foreground will be larger than the trunks of the same birches, but in the background. On the third plan, the whole set of trees merges into one strip of forest: there is a generalization of individual trees into a single mass of forest.

Individual leaves of trees in the foreground are more noticeable than foliage in the background. On the trees located in front, you can even prescribe individual leaves. But such detailing should not be carried away, since visually all the leaves are combined into groups, even in the foreground. But in the distance, such a generalization will manifest itself more strongly and the further the more. Therefore, I boldly generalize the greenery of birches of the second plan and write through spots.

3. Aerial perspective.

As you move away from the viewer, the objects of the landscape not only decrease in size, but also become less clear, less contrast. This is called aerial perspective. There is an air mass between the viewer and the distant object. It changes the appearance of an object. The silhouettes seem to become more cloudy. At a distance of 30 meters, it is not noticeable much. But at a distance of 3-5 kilometers, this effect plunges objects into the air so much that they can disappear as if in a fog. Aerial perspective makes dark silhouettes a little lighter and light silhouettes a little darker. It is better to remember this pattern, since in working on landscapes you have to constantly encounter this. And, of course, in different weather this phenomenon manifests itself in different ways. On a clear sunny day and on a damp cloudy time, the view will be different. But the aerial perspective will be noticeable in both cases, just with different strengths.

In addition to the physical laws of nature, the above effect is also needed for artistic reasons. To bring objects closer, they are made more contrasting, saturated in color, clearer. To “fail” the silhouettes back, to make them less noticeable, the artists remove the sharpness of the contours, the contrast of the silhouettes, and the color saturation is reduced. For example, the greenery of the grass, as it moves towards the horizon, will be less "juicy". The silhouettes of the trees are less contrasted, and their contours are more blurred and fuzzy.

4. Techniques of oil painting in the transmission of linear and aerial perspective.

This is a very interesting topic. In order to create the illusion of reality, including the illusion of space, artists use a variety of methods. There are no clichés here, because each author can intuitively come up with his own technique of performance. Therefore, it is better to avoid stamps here. But some technical solutions have become so widespread that they have acquired the status of traditional ones.

• For example, in order to bring the trunk of a birch tree closer in the foreground, I paint with large pasty strokes of paint. Such "roughness" of performance makes the surface of the cortex more material, "tangible". It seems that we see the object in detail, as if it is close, right in front of us. This is an illusion. And it is with the help of illusion in painting that the effect of reality is created. For this style of writing, you can use a palette knife. With its help, the paint layer becomes embossed, and this additionally gives materiality to the depicted surface. The relief of the paint can also be obtained with a brush, the main thing is that the paint is pasty and in a sufficiently large amount.

• In order for the objects of the second plan to “go into the distance”, we generalize them. And consequently, the manner of writing will be smoother, even, maybe more blurry. That is, in the distance we can avoid details and the paint layer will be smoother and less embossed. This can be achieved by rubbing the paint mass with a brush and less using laying paint in clear strokes.

• The third technique concerns the transparency and opacity of the paint layer. The fact is that when white is added to a color, it becomes, so to speak, “whitened”, i.e. the color loses its saturation and becomes “smoky”. And since the aerial perspective is the immersion of the silhouette in the haze of the air, the use of white in color mixtures is welcome. In other words, in the foreground it is better to combine translucent layers of paint with pasty ones, and in the very background it is better to use more opaque layers with the addition of white.

• The fourth technique concerns the elaboration of details and generalization. I wrote about this above. But how technically to write the details of the foreground, and generalize the objects of distant plans? First, using different brush sizes. A large brush makes it easy to write broadly and generalize. And small brushes are more convenient to prescribe small details. Secondly, you can combine the work with the edge of a flat brush and its plane. In the first case, the strokes become "sharp" and clear, and they can write the details of the first plans. In the second case, the wide plane of the brush allows you to lay the paint "wide and bold", as well as to generalize by rubbing the paint. That is, the brush can, as it were, “slide” over the paint layer, rubbing and generalizing unnecessary contours. Thirdly, you can use the tip of a palette knife or its edge to write fine details sharply and clearly. The plane of the palette knife blade, on the contrary, lays the paint wide. It can also be generalized, lubricated and rubbed. Therefore, masterfully rotating the palette knife, artists achieve very interesting effects. For example, alternating clear, sharp lines with wide and blurry spots.

5. Application of theory in practice. Step-by-step progress of work on the canvas "Birch trees on the shore of the lake".

In this example, you can clearly see how to implement the above theory in practice. This work should not be taken as a template. Each artist has his own style, his own creative solutions. Finally, there are exceptions to every rule. Therefore, those patterns that are described in this article should be wisely taken into account in their work, relying on intuition, creative idea, and understanding of the essence.

1) So, as usual, I make a light approximate drawing of the future landscape with a brush.

2) I lay underpainting with translucent paints.

3) I introduce whitewash and pasty paint into the background. As mentioned above, the background must be immersed in the haze of the air mass. The white in the paint mix helps with this. The tonality of the forest strip in the distance will be lighter than the trees near.

4) I'm starting to work with a palette knife.

5) The first plan is worked out in texture. The colorful layer is embossed. This emphasizes the unevenness of the earth and grass, so the surface becomes material.

6) Tree trunks vary in tone. Some will be lighter as they come forward into the sunlight. Some will be darker, going into the shade. By doing this, we create, as it were, a tunnel of trees. A space is formed inside the forest.

7) We write small details. The closer the objects are, the more detailed they will be. They will also look sharper and more contrast.

8) We bring the painting to a finished state.

First of all, it differs in the colors that modern artists use. They hardly use crystals, which have been widely used by all artists since the Renaissance. But, nevertheless, nature in the works of modern landscape painters is still beautiful. The modern landscape differs from its predecessors in a more vivid expression of feelings, moods and thoughts. Most often written Modern artists, like their predecessors, use this material so that the result pleases the viewer longer.

Artist Yuri Obukhovsky

The romantic landscape "Costa Bravo" ("marina") is filled with the artist. In fact, this is the "wild" coast of Spain with a length of a little less than two hundred km.

The painting depicts a narrow bay with a rocky shore. The blue of the calm Mediterranean Sea competes with the blue of the sky, which seems to have faded from the bright sun. Snow-white clouds, emphasizing its blueness, echo the white triangular sailboats that have gone far into the sea, with white foam crashing against the rocks of the waves. The blue of the sea is not uniform. Close to the viewer, it slightly brightens, away - it becomes saturated blue, as if filled with the power of an unpredictable water element. The picture is so full of romanticism that it does not leave the viewer indifferent. The rocks that frame the bay are visible in the distance in light lilac shades, and close up they sparkle with gold. They were gilded in different shades by the bright sun, which is not visible to the viewer, but its hot rays are felt in everything. In our gray climate, it's nice to see rich blues and golds, and it's a joy to have a picture at home that at any time of the year will speak of summer sparkling with all colors. This picture is good not only at home, but also in the office, when you can take your eyes off the computer and look at the living calming sea.

The artist is not confined to one marine genre. He is interested in everything: the landscapes of Moscow, and Karelia, and the Crimea. The wonderful corners of Moscow rise before the viewer in the landscapes “Spring on the Patriarchs” and “The Yard on Tverskoy Boulevard”, which open up the familiar to us anew. Invariable admiration is caused by these oil paintings. Modern artists see and reflect in their paintings a diverse delightful world.

Artist Kandybin

The painter gave his love to the landscape of Russia. His canvases depict narrow, transparent and clean rivers with banks overgrown with green grass. Bridges and boats show that people live somewhere nearby in such beauty. Powerful trees, descending from the slopes, approach the banks, reflected in the still surface of the water. On one of the canvases there is a five-domed church with a white bell tower, and white water lilies bloom along the shore.

Oil paintings by contemporary artists (landscapes) are realistic. All canvases by Kandybin are full of peace. And only stitches-paths tell us that people live and work here who take care of the world that surrounds them. In the landscape with the beginning of autumn, when the grass along the river is still green, like the whole forest is still green, a bright golden-orange maple stands out, which felt the approaching autumn days. A few burgundy-red bushes along the river are also signs of autumn. The artist's gaze lovingly stops at the winter landscape. Clear silhouettes of old branched trees are especially good against the background of snow. And the white-trunked birch trees are silvering next to the green pines and fir-trees.

Landscapes by Alexei Savchenko

An experienced landscape painter, who turned forty in 2015, does not get tired of admiring the change of seasons. He is a member of the Creative Union of Russian Artists. Abandoned half-forgotten villages come to life on his canvases. Almost the same landscape, painted both in summer and in autumn, carries a different, but joyfully thoughtful mood due to color. The country road is dry in summer, and in autumn its ruts turn dark purple, sagging from the frequent rains.

Honored Artist of the Russian Federation Alexander Afonin

Born in Kursk and starting to draw at the age of 12, he was educated at the art school in Zheleznogorsk, which he considers one of the best in Russia. All landscapes the artist goes to draw on nature, without copying photographs. And the result is living Russian nature in front of us in all its discreet charm and poetry. (paintings by contemporary artists in particular) is full of high aesthetics. Afonin's works are very romantic.

In one of the paintings, a small green island with a tiny church in the center opens up before the viewer. And around in a haze the lake and the huge endless sky merge. The painter found a secluded and beautiful corner and showed it to those who, for some reason, cannot get out of the house. The artist's gaze reveals to us a vast unknown world.

Victor Bykov discovers the beauty of the forest

The painter became interested in forest thickets and forest edges, in which a city dweller does not visit as often as he would like. The sun's rays, refracting and playing with colors, penetrate his canvases. They change the usual gloomy lighting of the forest. It just becomes magical.

And the winter forest, bowed under the weight of the just past snowfall, seems impregnable, but it still calls to get through the deep snowdrifts and shake off the snow from the branches that have fallen, showering all their companions with it. The morning in the picture is sunny and paints it in pinkish-lilac tones.

Sergey Peredereev

He is a member of the Union of Artists of the Russian Federation. His works are full of constant admiration for our material world. He does not treat nature like Bazarov, who said that nature is not a temple, but a workshop. No, this is a temple that must be appreciated and loved, because the resources of nature are not endless. To need oil paintings. Modern artists admire not only fields, forests, copses. Sometimes a small village is very interesting, perhaps a former town, standing on a hill rising up. The picture shows its outskirts, and then a forest begins. (paintings) by contemporary artists takes the viewer away from the urban world, from huge apartment buildings, from the flow of cars, to quiet corners where everything is full of harmony.

Many people paint in oils. Modern artists often fill them with silence and tranquility. People in small villages live slowly, trying only to plant, water, weed, harvest, harvest, prepare for the winter. And when they go out onto the porch in the morning, they fully inhale the fresh air filled with the aromas of herbs and flowers.

Looking at modern landscape painters, you see that in which the exact transfer of nature is important, which has its origins in the 19th century, the work of contemporary artists continues. If earlier artists set themselves not only genre tasks, but it was important for many to show the oppression of the people, now undoubted skill is poured into oil paintings on canvas by contemporary artists, come to life on canvases and do not leave the viewer indifferent.